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Author Archive | Alison Rosen

Photos!

Thanks to Adam from Apple for the following shots. In this first one, we see David Schwimmer at the Q&A at the Apple Store that I moderated last night. We were talking about the movie he directed, Run, Fatboy, Run:

And here’s David Schwimmer talking and me looking like I’m sitting in a wheelchair. I’m not, mind you, but don’t I look like I am?


This next one captures David Schwimmer and me, sharing an intimate moment and really connecting as only interviewer and subject can.


And in this next one, we are tiny. (not to scale)


Here’s the crowd. See if you can spot my sister!


There was this whirly-bird sounding alarm thing that went off and started pretty quietly (but audibly) while David was talking and then it got louder so I said “sorry about my cell phone.” The result? Big laughs. Duh!

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What's that smell?

It’s the coffee I spilled on my pants. In the first five minutes or so I was at work I spilled Sprite Zero on my desk and coffee on my pants. I went into the bathroom and was trying to clean up my pants leg with a wet paper towel—blotting and patting—and someone walked out of a stall and gave me a sympathetic look. I debated saying, as if it was the most natural thing in the world, “just peed on my leg,” but I didn’t, even though I sort of wish I had. (wish I had said it. not wish I had peed on my leg. Sometime I’ll tell you about the Bike Riding Incident in Fourth Grade. I know whereof I speak.)

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More from the nostalgia vault?

Okay, only because you are begging (note: you aren’t begging). This one’s from the footnote period and for that I’m still sorry.

Thursday, November 2, 2000 – 12:00 am

The Cramps
Galaxy Concert Theatre
Friday, Oct. 27

It was a Goth meat market at the Galaxy on the night the Cramps played this sold-out show. It was impossible to squish your way past any group of people without feeling their unwelcome, eyeliner-rimmed glances. I hate sold-out shows. They’re great for the band, but they suck for the audience. And then I begin to hate everyone. Such as the drunk, PVC-wearing, Goth Bettie Page girl, who really, really, really wanted to talk to the guy seated at the table to my left and who communicated her burning need to talk to him by climbing over me and punching him. And then there was the guy that my roommate and I call—in all seriousness—Civilization Guy because two weekends ago he approached a friend of ours and used this suave1 pickup line: “Civilization—do you think it’s on the ascent or the decline?”2 Actually, Civilization Guy was more fun to watch than the Cramps because of the way he turned the White Man Shuffle into an aerobic activity. Kudos to Civilization Guy! But just when I’d start really getting into his small-windmills-plus-jerky-arrhythmic-leg-lifts, the icky Bettie Page girl would climb over me, and I would be yanked right out of the moment.

“Hey, who’s the sexy old blond?” Rebecca Schoenkopf, a.k.a. Commie Girl, asked me, nodding toward the stage. I told her it was Wally George, but I was lying. The Sexy Old Blond was really the Cramps’ bass player, who wasn’t sexy and whose wig was more pink than blond and who danced around the stage like a flower—if a flower could dance. Each Cramps member has a specific way of moving. Wally George dances like a flower. Guitar player Poison Ivy, who was wearing this bitty little dress that just barely grazed the top of her white, frilly underpants (which appeared to be stuffed with something), stalks the stage in a slow, sultry, deliberate way, which is probably all she can do in those high-heeled boots. And she glares at everyone in this way that is incredibly sexy and very cool and makes me wonder whether in the early days of the Cramps she had to deal with a bunch of well-wishers telling her she should smile and move around more and try to look like she’s having fun up there.3 Snarly singer Lux Interior struts from the back of the stage to the front and then back and then front again. Sometimes he lunges forward, and sometimes he deep-throats the microphone. Also, he throws the microphone stand forward but holds on to the cord, and sometimes he wraps the cord around his neck. He was wearing some kind of non-breathing, shiny, rubbery outfit, in case you’re wondering. As for the drummer, I don’t know; I couldn’t see him.

They opened with “Cramp Stomp” and then tore through a fairly long set of slow, snarly, inspired, groovy, bluesy hits with little patter in between songs. And despite the slow snarliness of it all, there was still a gaggle o’ dickheads in the crowd who moshed. Every now and then, they’d lift one of their own into the air and then pass the human offering forward, where he’d fall, eventually, into the arms of the security guards, who would toss him to the side, where he’d pick himself up, do a lap, and then run back into the pit. All hell briefly broke loose around 10:50 p.m., when the security guards were busy restraining someone. That diversion opened a space for a woman to run onstage and do some kind of menacing wavy arm thing in the direction of a nonplused Ivy. This went on for about three seconds before she was ambushed and carried offstage and more security guards were dispatched.

This was around the time Civilization Guy really began feelin’ it, though, so I couldn’t really tell you what happened onstage next. (Alison M. Rosen)

1. Pronounced “sua-VAY.”

2. She said ascent. I would say the same thing, although I’m a pessimist. Go figure.

3. Because I play in a band and people tell me that all the time, except for the people who say I remind them of Poison Ivy. I like them. I hate everyone else. Did I mention that sold-out shows make me hate everyone?

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Ill-timed email from my former boss in CA

Only ill-timed considering the nostalgia problem:

“Damn, I miss you. CZ is good–in Austin at the moment. Evidence you’re a great writer: doubt you’re a great writer. You’ve always been–both doubtful and a great writer. Now come home and help us.”

I love being helpful! Damnit!

(Mom and Dad, if you’re reading this, don’t get your hopes up. Perhaps I’ll come visit though)

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Were you at the Apple Soho Store?

And did you get any pictures? They said there weren’t going to be any photos allowed which I figured was just as well since my chest was looking kinda blotchy and my non-TV makeup likely wasn’t doing me any favors under those harsher than I expected lights but then there were a zillion flashbulbs happening during the Q&A and I kind of wished I’d gotten a photo with Ross Schwimmer. So if you got some, let me know.

As for how the whole thingamajigiepoo went, it was fun. DSchwim kinda took the reins himself at certain points, leaving me there to fiddle with the microphone and fidget in my seat and strike that fine balance between voicing the jokes going through my head and holding them in—it was about HIM after all—but so much of performing/hosting, and especially TV which this wasn’t so just bear with me while I let this pour out of my head—is about taking control of situations and being the most dominant/dynamic force in the viewfinder and so I quickly realized that the control was being wrested from me and had to then quickly calculate whether to try to get it back. I didn’t, because it wasn’t my TV show, it was just a live Q&A I was asked to moderate and I was providing a service.

My sister thinks it would have looked really bad if I’d grabbed the controls. I think there are people who can do it so effortlessly and instantly that you don’t even really notice.

But still, I think it was a fun time.

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Reminder!

I’ll be moderating a live Q&A with David Schwimmer at the Apple Store in Soho at 6:30pm on Tuesday, March 18. We’ll be talking about the movie he directed, Run, Fatboy, Run, and then giving out free iPods.*

*Note: no free iPods.

But come on down anyway!

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The bottomless nostalgia vault

Okay so I went through this very obnoxious phase where I peppered my prose with footnotes. I apologize in advance. Anyway, I found another OC tale involving Clowny Hands and Toilet Duck, though they aren’t referred to as such in this one:

Thursday, November 9, 2000 – 12:00 am

Slippers

Bamboo Terrace, Costa Mesa
Friday, Nov. 3

“C’mon! They’re the most talentedest1 musicians I know!” said my friend, who knows a lot of musicians and who records bands at his recording studio and who recorded Slippers. He was trying to cajole me into going to see them play at 7:30 p.m. on Friday night. Now, look: I’m just as much a sucker for talentedest bands as the next ravishingly beautiful music critic, but 7:30 p.m.? That’s nap time! That’s get-ready-for-Friday-night time! That’s oh-God-I-hope-he-calls-me time!2 That’s take-a-leisurely-shower-and-apply-makeup-time!3 That’s check-my-e-mail-and-avoid-phone-calls- from-my-mom- who’s-going-to-make-me-feel-guilty-for -not-coming-over-for-dinner time! Hey, that’s dinnertime!

“That early? Why are they playing that early?” asked my roommate, busily flipping back and forth between Jeopardy and Friends.

“It’s like a dinner thing,” said my friend.

“Oh,” said we.

And so it was that all three of us went to a Chinese restaurant called Bamboo Terrace to see Slippers, who were not only very talented but also, one might infer from their generally contented appearance and heavy lids, very stoned.

“We are Slippers from Long Beach,” announced the guitar player, whose beard rivals both Jeremy from Lit and all three members of ZZ Top.4 The five Slippers (guitar, bass, drums, congas and keyboard) wear shiny, satiny, Chinese pajama-looking outfits. “They are wearing authentic Chinese courtship suits,” said my roommate, but I’m pretty sure she pulled that out of her ass. Plus, she’s never been squired by an authentic Chinese man.

Slippers play progressive jazz that’s very noir-ish and atmospheric and moody and full of dynamics and vaguely Eastern-influenced. I’d almost say it’s experimental, but that makes it sound like there are big huge yawning gaps of sound involving nothing more than a rainstick or didjeridu or, even worse, someone rubbing a pick against a guitar string to make that squeaking sound or tapping their guitar pickups or doing weird things with rubber hosing. Slippers don’t even have a rainstick or didjeridu! Plus, they’re more frenetic than that, but in a mellow way. “They’re very yang,” said the aforementioned roommate. Yang, indeed!

The incredible drummer played with bundlesticks, which is always cool, and the incredible keyboard player, at one point, played this keyboard thing you blow into.

“By God, he’s taking bong rips onstage!” I proclaimed to my friends, but I was mostly just crapping around to distract myself from the Happy Hibachi Couple seated behind us, who were furiously making out only inches from their flaming tabletop grill. Then I suggested it might be funny if my friend lit his cigarette on their hibachi, but that’s just because I would appreciate it if no one was in love around me and it’s not like he did it, anyway.

Sometimes, apparently, Slippers have vocals; not tonight. They were entirely instrumental save for the “Woo!” that kept emanating from the stage. I never did figure out who was wooing. Also, their latest CD consists of two songs, one of which is about 20 minutes long and has 15 or so parts. They played this song, but I think they only included about 13 of the parts.

“Since when do you have all this noise?” a little old lady asked the restaurant’s owner at one point. From the back, the little old lady looked frighteningly like my grandmother, but I think my grandma would have liked Slippers. Which is not to say they’re grandma music because they’re not, but rather that they possess amazing, incredible, exhilarating talent, which is something with multigenerational appeal.

Even if the Happy Hibachi Couple didn’t seem to notice. (Alison M. Rosen)

1. Yes, he actually said, “talentedest.” Just like that: talentedest.

2. Now, see, that horrible book The Rules says you should never accept a weekend date after Wednesday, but it also says you should never stay on the phone with a guy for longer than 10 minutes and, to that end, you should keep an egg timer by the phone, to which I respond: Isn’t an egg timer only good for three minutes, and also, what the hell good is a guy who’s all hot for me if I don’t even know whether I like him because I never talk to him for long enough to find out because I’m always getting off the phone?

3. I’m high-maintenance, okay?

4. ZZ Top make me physically ill. Yes, their earlier stuff is good but when I think of them, all I think about is THAT HORRIBLE SLEEPING BAG SONG. I HATE THAT SONG!

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Warning: cheese ahead

The following is going to be a big ol’ hunk of cheese however my friend Yami, the one whose wedding I just attended, put this quote on her myspace page which has been fucking with my head all day. (and yes, the previous sentence is sad for a number of reasons but there’s no time now to dwell.) Here’s the quote:

“love is life. and if you miss love, you miss life. – Buscaglia

Do I agree with this? I remember thinking Buscaglia was vaguely douchey when I first encountered him in high school psych, but the sentiment is kind of chilling. I mean, not to you who are all happily connected to fellow human beings but to someone who spent the last year or so avoiding messy human relationships, it’s got me in a twist.

I could say more, but if I don’t blow dry my hair right now catastrophe is going to happen on my head. To be continued. Maybe.

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"Hey, your Vegas is showing…"

Is this really the best the Nevada tourism council could come up with? I’m suddenly seeing a bunch of commercials with it again and it sounds more like an unfortunate medical condition than an enticement to come to Las Vegas. Actually, it makes the also kinda lame “what happens in Vegas stays in Vegas” sound like poetry. Also, it sounds like something someone would say before going on air. In fact, I’m going to drop it into my litany of self-consciousness next time:

How’m I doing? Is my hair okay? Is my jacket okay? Anything weird going on in this section? (waving hands over entire torso). Any muffin top action? Is my Vegas showing? What about my third nipple?

Can you see my goiter? I tried to hide it with goiter-off but I think it’s just making it show more. What about the giant scar I have running from my extra toe to my vestigial tail. Is it showing? Can you see where I had to have that thing frozen off? Correction, things.

Are you sure my Vegas isn’t showing? Okay phew.

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