You may have already seen this one but if you haven’t, here it is. Perhaps you’re wanting to know the backstory with the helicopter shot? Okay then. But maybe you should watch first before I blow your mind? Okay go watch while I sit here admiring myself in this rusty butter knife.

Back so soon?

So Erik and Ben were going up in a helicopter and I was supposed to stand on the top of the dimple hill and they’d get an awesome shot of the roof with me on it, waving. So I get this call from them saying they’re about to go up and that I should go up on the roof in about ten minutes and I say “you’ll call me to let me know when you’re shooting the roof though right?” except I don’t get all that out because they have to go and their phones are being confiscated and just wave at all helicopters. So I haul my toned and shapely caboose up there and there happen to be a lot of people setting up and there are some drums on teh top of the dimple hill as well but I explain that I have to go up there and wave at helicopters. I offer to soundcheck their drums but they don’t take me up on it and also they want to make sure I’m not “drunk or anything” WHICH I WASN’T, I’m just clumsyish and kind of lost at most times. So I’m up there looking in the sky and one of the guys explains that I don’t have to look, I’ll just hear the helicopter. This was probably right and it’s good he said taht because every time i craned my neck to look at the sky I started to get dizzy and worried I’d take a tumble down dimple mountain, taking out a snare drum and a drummer and possibly a guitar on my way. There was also a guitar up there. So then I developed a dog like sense of hearing, or whatever animal has crazy good hearing, and lurched at all loud noises and waved like a maniac at planes and various things flying by including a flock of birds. Finally after about half an hour I gave up and went downstairs. Erik and Ben told me they didn’t see me up there but then they didn’t see much of the roof either.

The next day they were goign to go up to the observation deck of the Empire State Building and film me on the roof that way so that it would look like it was from a helicopter. “Is the human eye so good that people know roughly what helicopter shots shoudl look like?” I asked. Ben assured me it would work, however he misunderstood my question. I wasn’t asking if people would be able to tell the difference between a helicopter shot and an Empire State Building shot. I was asking if we really need to go up to the Empire State Building for this shot, can’t we just hold the camera above our heads and shake it and pretend that was from a helicopter with some kind of phenomenal zoom function. I’m kind of glad he didn’t understand my question though, as this is why I’m in front of the camera and on a blog and not behind a camera, etc. So again I hauled ass up to the roof with my microphone and waited while explaining to the guys what was going on and worrying they would think I think I’m being filmed but really the whole thing is in my head since I’m saying I’m going to be filmed by peopel on the Empire STate Building and that’s why I have to wave at no one.

But it was goign to take an hour and a half to get to the observation deck, so we scrapped that and filmed what you saw, instead.

Also, by this point my throat and my interviewing style was a little raw.